As my friend Lion pointed out to me recently, a lot of movies these days are pushing a very bleak view of the future, essentially advising audiences to prepare for inevitable doom. My mother’s reaction to this observation is that I should avoid that kind of movie, particularly in my present state, and she may be right. But Joe McHugh argues otherwise in his presentation, “Slaying the Gorgon,” which I attended at the Seattle Bioneers satellite conference in 2009. He says that when faced with realities too terrible to face directly, we should seek to understand them using the “mirrored shield of myth” (analogous to the strategy Perseus uses to kill Medusa, hence the name of the talk). So lately I’ve been looking at movies through that lens, and what follows are the results of my recent research into the modern mythology of the apocalypse. (Note: all four reviews have spoilers.)
( The Croods )
( Oblivion )
( Iron Man 3 )
( Star Trek Into Darkness )
Okay, so those last two didn't fit the theme very well, but luckily this year’s upcoming releases will provide plenty more fodder for this investigation. After Earth comes out next week, Man of Steel (which starts out with the destruction of the planet Krypton) is less than a month away, and Elysium (which is more of a dystopia, but still raises the question of how it got that way) comes out in early August. I might skip After Earth if the reviews are terrible (which seems likely given M. Night Shyamalan’s recent track record), and I’m very likely to skip Pacific Rim, the invasion-of-the-giant-lizards movie that comes out in July. But that still leaves plenty of apocalyptic sci-fi madness to experience and study, even though my mom says I shouldn’t.